It takes a flashback mode to depict the happenings that led to the situation. The film opens with Thamizh trying to find out the reason for his father taking an extreme step when faced with a crisis. And like the earlier film, the screenplay here too goes on a downslide in its second half, with the director forcing in some contrived situations, which almost negate the natural feel and the positives of the earlier half. If there are any similarities between the two films, it’s that this too has an impressively crafted first half. Their second joint outing Thangamagan depicts a son’s effort to clear his father’s name and take on those who were responsible for the man being hounded into taking a drastic step. The hero-director’s earlier teaming in Valai Illa Pattadhari depicted an educated youth’s effort to find a suitable job and fight the criminal elements involved in his line of work.
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